H A U T

Græder ved havet // Crying by the sea // البكاء على حافة البحر

At (om)skrive på tværs af tid og rum? // To (re)write across time and space? // إعادة الكتابة عبر الزمان والمكان؟

Format: Interactive installation
Genre: Cross-aesthetic

Date: March 12th to April 9th 2025
Time: Monday - Friday 9:00-17:00
Place: Foyer
Thoravej 29,
2400 Copenhagen NV

Come explore the installation, no ticket needed!

The artistic research

Kunstnergruppen "Den postkulturelle krop" vil i løbet af dette residency undersøge offentlighedens stemmer i spørgsmål om afstand og grænser, ved at bygge et interaktivt, semidigitalt rum for publikum i bygningen på Thoravej 29, der forbinder det til publikum i et tilsvarende rum i Tunis.

Her vil vi facilitere publikumsoplæsninger og omskrivninger af open source scripts, for at undersøge hvordan programmerede scripts, skaber rammer for langdistancekommunikation og hvordan autofiktive, dramatiske manuskripter, skaber rammer for poetiske møder på tværs af tid og rum. I arbejdet vil vi bl.a. kombinere redskaber fra Augusto Boals, De undertryktes teater og det decentraliserede internet.

I løbet af residenciet vil der blive afholdt åbne skrive- og læseworkshops. Datoer offentliggøres snart.

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The artist group "Den postkulturelle krop" will explore the voices of the public on questions of distance and boundaries by building an interactive, semi-digital space for audiences in the building at Thoravej 29, connecting it to audiences in a corresponding space in Tunis.

Here, we will facilitate public readings and rewritings of open-source scripts to examine how programmed scripts create frameworks for long-distance communication, and how autofictional, dramatic scripts create frameworks for poetic encounters across time and space. In our work, we will combine tools from Augusto Boal's Theatre of the Oppressed and the decentralized internet.

During the residency, there will be open writing and reading workshops dates will be announced soon.

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سنستكشف أصوات الجمهور

الأصوات في مسائل المسافة والحدود من خلال بناء مساحة تفاعلية

مساحة شبه رقمية تفاعلية للجمهور في مبنى في ثورافيج 29 ، وربطها مع

جمهور في مساحة مماثلة في تونس العاصمة. سنقوم هنا بتسهيل

قراءات وإعادة كتابة نصوص مفتوحة المصدر، واستكشاف كيف أن النصوص المبرمجة

تخلق إطارًا للتواصل عن بُعد، وكيف تخلق النصوص الدرامية

تخلق النصوص إطارًا للقاءات الشعرية.

سنجمع في عملنا بين أدوات من أوغستو بوالز ومسرح المضطهدين والإنترنت اللامركزي.

خلال فترة الإقامة، سيتم تنظيم ورش عمل مفتوحة للكتابة والقراءة.

سيتم الإعلان عن التواريخ قريباً

About the artists

The artist group "Den postkulturelle krop" consists of performing artists and programmers from Denmark, the UK and Tunisia.

MONIA SANDER HAJ-MOHAMMED lives and works in a field between writing, performance art, and direction. With references to the theater, Haj-Mohamed explores the range of the performative space where reality and fiction blend, and where the distinction between real people and literary characters is blurred. She graduated from the Royal Danish Academy of Fine Arts in 2020 and was the artistic director of Momentum Theater in the 21/22 season. Through Forlaget Korridor, she published “Dominique” in 2015 and “The Alexander Trilogy – a Performance Essay in Three Acts” in 2019, for which she received the Schade Prize. She has exhibited at O-Overgaden, the National Gallery of Denmark, and Amager Psychiatric Hospital, and is part of the decentralized exhibition platforms Hosting Lands and theatrebuilding.com.

MOUAYED EL GHAZOUANI has since 2015 been a theatre coach and performer, evolving into a queer performer and content creator in the homophobic landscape of Tunisia. As a member of Nawel Skandrani’s collective since 2018, he contributed to the queer performance scene and has conducted physical theatre classes since 2017. Moayed directed and designed the stage for “Rouheb,” earning the Scenography Award in 2023. Internationally, he’s collaborated with “Instabili Vaganti” in Italy and the Danish collective “Theatre Building.” The work with Oxfam’s feminist project (2023-2024) highlights his dedication to social and gender equality through the arts.

moltamole / ELIZA BOZEK  is a Copenhagen based artist with a background in electronic music and performing arts – oriented sound design, working within the field of composition, installation, dance, theater and digital art. Sound poses a medium via which moltamole lets herself explore and absorb external environments, as well as sonify inner, emotional landscapes. The intimacy of her sonic meandering is often imbued with field recordings, voice, noise, ASMR or poetry. Preoccupied by sonic tactility, she often weaves textural compositions and abstract soundscapes. A lot of her current work is conceptual, evolving around creating scores for composition and room sound design. Graduated from Den Danske Scenekunstskole (Copenhagen) and Catalyst (Berlin). Some of the projects she has been involved in are: MINOTAUR GRL [Inter Arts Center], GROUNDINGS [O – Overgaden], ENTANGLED [Det Kongelige Teater], TRAGISKE MÅDER AT SLÅ EN KVINDE IHJEL PÅ [Odense Teater] or SCINITLLAE[Basement, Teater MOMENTUM].

JAZBO GROSS works with video, sculpture, and writing. He holds an MA in Moving Image from RCA, London, 2017. Gross examines how objects are encoded within social practices and technology, exploring their material history and popular narratives. His work has been shown and exhibited in the UK, Germany, Norway, and Denmark, with his most recent exhibitions at Calcio, London; RIBA, London; Salt, Oslo; ICA, London; and St.

MOHAMMED ROWE, a London-born artist, meticulously weaves sonic tapestries to articulate his expressions and foster communication. His compositions are rooted in the urban pulse of his upbringing, resonating with the essence of found sounds, experimental compositions, and spontaneous musical explorations. Drawing inspiration from the vibrant landscape of his surroundings, Mohammed employs a wide arsenal of processes and recording techniques. These tools enable him to capture and shape compositions, each a unique reflection of his sensory experiences. Beyond the limitations of traditional media, Mohammed’s artistic vision transcends boundaries. He collaborates seamlessly with artists across disciplines, integrating his sonic creations into interactive installations, dynamic moving images, film, and immersive theatrical performances. These collaborations act as catalysts, enriching his creative journey and expanding the horizons of his artistic expression.

RANIA REZGUI is a treasurer in a cultural association / Project Management Consultant. She is a consultant in association-based project management with over 8 years of experience in the field. She has extensive expertise in project design, planning, implementation, evaluation, and monitoring. Rania has worked with various local associations to manage and implement impactful projects across multiple themes (Theatre Performance Management, cultural projects in rural areas, theatre workshops for youth, prevention of violent extremism, rehabilitation of women affected by violence, and coaching youth in vulnerable situations).

AHMED BEN ABID, born in 1996 in Tunis, is a multidisciplinary artist with a master’s degree from The Higher Institute of Multimedia Arts of Manouba. He joined The Mediterranean Center of Contemporary Dance in 2013 and later became a member of The Sybel Ballet Theatre Company. Ahmed collaborated with Theatre Building on “Every Time I Try to Move” and addressed sexual health within Oxfam’s Masarouna program. Inspired by these experiences, Ahmed created “Unwell”, which explores suffering, isolation, minority rights, and social justice through his art to raise awareness and inspire empathy for social change.

KEVIN THOR FLEMING

HELEN NISHIOJO

Collaborators

Teaterøen, Theatre du Poche (Tunisia), Hosting Lands, Bastard blog